Peevish Pen

Ruminations on reading, writing, rural living, retirement, growing older—and sometimes cats. And maybe a border collie.

© 2006-2013 All rights reserved

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Location: Rural Virginia, United States

I'm a retired teacher turned writer. Ferradiddledumday (my Appalachian version of the Rumpelstiltskin story) and Stuck (my middle grade paranormal novel) are available from Cedar Creek Publishing.

Saturday, May 18, 2013

Find The Cat

. . . or several cats. Cats are easy to spot in some of these photos. Like this one:


Somehow the bars don't hide the cat. In the picture below, the lavender bushes don't hide him either.


The cats below sort of blend into the quilt pattern, but you can still spot them.


Two cats in the picture below:


Now three:


Three again:


Only two in this one:


Just one here:


And here:


These two are easy:


 This one is easy, too:


This one's a little harder:


This is a toughie. But there's really an orange and white cat here.


OK, here's an easy one. That little solar light isn't enough to hide him.


Thanks to George, Dylan, Tanner, Chloe, Jim-Bob, and Olivia for appearing in these pictures.

~

Thursday, May 16, 2013

So Green

The rains this spring have turned grass and woods so green I don't know how they could be greener. Recently I walked around Smith Farm and marveled at how green and luminous the vegetation was, like these black walnut leaves against the sky.


Pictures describe it better than words.














If weather permits, the hay will be cut next week.
~

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Wednesday, May 15, 2013

Abingdon Road Trip

The Appalachian Authors Guild, headquartered in Abingdon, had invited me to be their guest speaker at their meeting on Tuesday. I knew several of the members, having met some at their wonderful Heritage Writers Symposium last June.

Since I hate to drive on I-81, I invited my friend Ibby Greer to pilot my PT Cruiser to the meeting, which was about two and a half hours from us. Tuesday was the perfect day for a literary road trip. Besides attending the meeting, we poked around Abingdon and Wytheville.

We stopped in downtown Abingdon to see the sights. Here's one, an interesting sculpture in the parking lot next to the Martha  Washington Inn.


Near the sculpture was this sign about the Crooked Road, which begins in our neighborhood back in Franklin County.


This sign was in front of the Martha Washington Inn. Was there a love-in at the inn? If so, we missed it.


As a lover of gazebos, I liked this one on the inn's lawn.


I took a picture of myself in the inn's very elegant ladies' room.


Across the street from the inn, was an interesting fountain (you can see the Barter Theatre in the background).


It's such a big fountain, I couldn't look at it all at once. It had some animals around the bottom, like these little foxes . . .


. . . and this bunny . . .


. . . and a turtle and some fairies. . . 


. . . and someone holding a comedy mask.


A nearby sign identified the fountain. One of the creators was Charles Vess, who designed the Jack Tale brick wall at Southwest Virginia Community College. I'd blogged about that wall last year when I was a presenter at last year's Appalachian Heritage Writers Symposium.



 Next we stopped briefly at Heartwood, one of my favorite places. I wanted to see if they still had any copies of my books in their Appalachian Author section.


They did! But not as many as the last time I was there. They had a copy of The Girl Who Raced Mules, two copies of Where's There's a Will, and several copies of Ferradiddledumday.



They also had a display of Nell Fredericksen's jewelry.


Here's a closer look.


After Heartwood, we headed for the Tuscan Italian Grill where about twenty members of the AWG heard me read and speak. They were a great audience! 


On our way home after the meeting, we stopped in Wytheville and made a pilgrimage to the big pencil.


Across the street was a picture of a big paper clip.


All in all, it was a good trip for a couple of writers to make.

~

Saturday, May 11, 2013

Vanity Publishing

. . .  is not a good idea. I've done it four times, albeit for collections of previously published work that had a limited readership.


 The company I used was once pretty good to work with when it was owned by a family and offered personal attention as well as a reasonable (and negotiable) set-up rate. Now, it's gone the way of other vanities and offers lots of "services" for big money.

It used to be I could order twenty copies of my books at 40% off the cover price, get free shipping if I ordered a minimum of twenty copies, and get paid a royalty for what I bought myself. I could make a little bit from the books I sold from the trunk of my car (which is the main marketing method of vanity-pubbed authors). Now, there's a "handling fee" of $4.50. Consequently, I don't often order copies.

Recently I got this email from the company:

Dear Rebecca S  Mushko;

With the arrival of Spring, we at Ixxxxxxy are making preparations for a fresh new season. And we would like to give our authors an opportunity to Spring into marketing their book. As with any growing company, we are taking stock of our inventory and the limited space in which to store it. Our internal review has uncovered that we have an over run of copies of your printed book “The Girl Who Raced Mules & Other Stories” which is great news for you!

We would like to offer you a fantastic opportunity to purchase your books at 65% off the $11.95 cover price of your book.  That means you can purchase the 4 units we have in stock at $16.73 plus shipping and handling ($13.49). To our authors with multiple titles, please contact us to see if we have any inventory of your additional titles that we can include within this very special deal.

This is a limited and rare special offer which will expire on May 24th, so contact us as soon as possible to take advantage of this incredible deal.

To place an order for these books please using a credit card email [addy] or call Brittany at 877[toll free number] extension 12 or you can print a copy of this email and enclose with your check/money order. 

To receive the proper discount please reference Spring13 when placing your order.  

PS  Please note: This one-time special discount book offer is for as-is books, and all sales are final. Additionally, royalties are excluded from the sale of these discounted books.  Infinity retains the right to dispose, sell or retain any of the remaining books after the end of this promotion at its sole discretion. This offer is not valid for web orders, an author must email, call or mail the order to Infinity Publishing.  This special offer cannot be combined with any current or ongoing promotions or specials.

... followed by another, almost identically worded, except the book title and number of copies were different:

Our internal review has uncovered that we have an over run of copies of your printed book “Peevish Advice” which is great news for you!

We would like to offer you a fantastic opportunity to purchase your books at 65% off the $10.95 cover price of your book.  That means you can purchase the 7 units we have in stock at $26.83 plus shipping and handling ($13.49). To our authors with multiple titles, please contact us to see if we have any inventory of your additional titles that we can include within this very special deal.

I am not impressed by the "fantastic opportunity"or "special deal"or whatever. How could there be an "over run" (did she mean "overrun"?) when there's no press run? Since vanity publishers are print-on-demand, they print the number that are ordered—and already paid for. They should have no books in stock. And what's with the "as-is"? Are they damaged?

Doing a bit of math, I see that with the discount, the four copies (plus shipping) of The Girl Who Raced Mules comes to $30.22, or $7.50 a copy. However, if I'd ordered 20 of them at the regular 40% off and paid $4.50 handling, they'd be $7.40 a copy before I got a royalty which would discount them more. I'd actually do slightly better with the overrun copies of Peevish Advice, but still. . . .

I'm not taking advantage of this "special."

And I'm not vanity-publishing anymore. I've gone with a small press for the last two of my print books, and recently I've recycled some of my previously published work into Kindle e-books. Neither option cost me a cent.

For those thinking of paying to publish with a vanity company (Some of them call themselves "self-publishing" companies. They're not.), you might want to read David Gaughran's recent blog post.

Remember, the way it should work is that the publisher pays the author, not vice-versa.
~


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